Oh, I would keep in mind that talent is separate from a distinction of “good.” That said, by all means, show me someone else playing 1/5th notes and 1/7th notes (as opposed to the overused binary and tertiary divisions), stretching outside of your typical four chord major minor popular structure, breaking genre classification, liberal use of pointillism, making four hour records (“The Boy With A Perfectly Square Butthole Strikes Back” is just one song out of fifty three on the album), making an album based on philosophy (a Nietzsche reference as the title of the album, as I’m sure our favorite self-proclaimed Nietzsche guru noticed), playing in 13/16 rather than your typical 4/4 and 3/4, bands composed of multi-instrumentalists, bands using a shamisen outside of its typical Japanese environment, etc.
I’d love to know what qualifications as a music or art critic you have! You seem to know so much about it!