Of course I do, and I also know that the same egg can spawn opposite offspring, which may even do service to others, like Romulus and Remis who did wonders, but they had to get along to construct something as great as Rome. It is the intention, the attitude which differentiates construction from deconstruction. Inf I had told You,I harbor no real bad intent, You may become skeptical,and even say he, I don’t care who my dancing partner is, and I don’t even care if he or she doesn’t know the steps, heck, it may work. Lyric poetry can go post modern and become totally outside the conventions of verse, be unique and disassembled,mor, it can merge opposites and create a new style even, with only one conditions, that both partners realize that there needs at any one time one leader and one follower.
But then a quick change can reverse roles as easily as one which had to do with adopting them, holding on to them creates the impression of inflexibility.
been watching Dancing of the Stars on occasion, a show here widely watched and wildly popular, and I can tell You, Arminius, that it takes a couple I don’t remember 10 wins superior score to win the ultimate prize, the middle of it, the part where the adolescent dancer comes out most obstructively, is, when basic steps are retraced.
A Nijinsky type can hang in there in this atmosphere of constant surveillance, because everyone knows their act will be judged at the middle, everything up to it, is wrought with great expectation,giving due to not being in the groove, and everything after, as post climatic. the judge and judgement are in this very optic stage, giving credence to the audience, the dancers, and their own bias. it is a critical point, and even Nijinsky took a sudden Nietchean plunge here. he was some say the greatest dancer, and yet the most voulnerable. From here on, voumnerabilityncan take two routes, one success of overcoming, and two to a demise, a fall.