The Metaphysics of Groundhog Day
Lawrence Crocker says it’s about time, and personal identity, and free will.
Time and identity. One take from Hollywood.
As you might imagine, my own subjective “take” on Groundhog Day revolved precisely around the manner in which Phil Connors learns to become a decent human being rather than a narcissistic scumbag. The plot was preposterous but how difficult is it to imagine that out in the real world a series of very similar events experienced over time might prompt you to reconsider the way you think about yourself and the behaviors that you choose.
Then we can argue about whether all rational men and women are obligated morally to be decent human beings rather than narcissistic scumbags.
And, given particular contexts, what it means to be a decent human being when confronted with contexts that swirl around, say, conflicting goods?
Also, the film Timecrimes. Although in these films [as I recall] there is not nearly as much emphasis placed on identity given the manner in which I construe it pertaining to the question, “how ought one to live”?
Groundhog Day is more about the transformation of Phil from a man who at first is bent mainly on merely taking advantage of the time loops, to someone who as a result of these experiences finds himself actually becoming the man he pretends to be. From merely wanting to get Rita in bed he comes to the realization that he really cares about her. A new man.
Identity in that sense.