A Stroll through Central Park

And off, off we go!
The big one’s taken me out,
out for a stroll again.
I’m strapped in—no escape.
I’ve tried crying twice before,
but this hippo is a stern one,
not like the others—Yea, I’ll say!

O don’t ask why I won’t. . .
Don’t you know the humiliation?
And the smell. Then that wretched powder!
No, I think I’d rather remain strapped.

Here’s one. A fat bald jerk,
skimming the New York Times.
And she’s stopped, right next to
gelatinous guts galore
pouring out of his brown pants,
and the red-plaid suspenders
snapping this prize of a specimen together.
Why, just across us sits one fine pair of pasty twins
. . . and sitting all alone—O I’m so thirsty!

It’s all processed-and-pasteurized now-a-days,
you’d think she’d go the organic route. But no…
All that whole food she buys, “Is it organic?”
“Is it organic?” that’s the household mantra.
O I feel them pulling,
pulling toward me— No!
Not the plastic! I’m so thirsty!

These blonde ones, how they bend and gush
right over me— I always twinkle my little greens
just for them— just hold me . . . close,
real close— aren’t I soft?
So are you my tootsie roll— O, I’m so thirsty!

What? What does she want from me?
Move hippo! You’re blocking my view!
Of course it wasn’t me! What did you expect from,
Mr. Gelatin? Rosemary?

Oh, so we’re moving again,
why don’t you stroll over to –
The Devil! Some shirt-n-tie’s makin’ his move!
It’s too late, my blonde bunny’s smiling. Thief!

What is this? I don’t want it!
I want the real thing – do I look like a cow!?
I’d even settle for your banjos toots.

Oh no! Pigeon-feeder three O’clock!
Hurry, Hurry! Don’t! Don’t stop!!
O not again—it’s too late.
Ugh! Her wrinkles remind me of my feet.
Hands off! What did the lady of the house say?
“Do not let strangers touch!”
What, is it a class thing?
Payback for the silver-spoon?
I’ll give you a thousand silver-spoons
for one good old-prole squeeze.

Yuck! Now I smell like Wonder bread.

Where are we going?
Oh not there again.
What is with you and the zoo?
The whole place stinks of monkey.
It’s the Rhino calling you, isn’t it?
All those little crisis children running around.
Last week one was poking me with a stick!
They run yell and jump more than the monkeys!
Tell me, why do they insist on showing their tongues?
I bat like Babe— first base just doesn’t do it for me.
I’m so thirsty…

“I’d even settle for your banjos toots,” might be the single best line written around here in months. :smiley:

:sunglasses:

Hey Oedipus, i didn’t know you were in new york. i get the visual impression of only seeing people chest high. as if there was no sky and bountiful nipples blooming in fields of cotton.

:laughing:

(Brief bio note: I was not breast-fed as a child. Therefore you can draw your own conclusions as to which stage of development I’m suck in. Err… Freudian slip…)

and here I thought you went to centralparkmedia.com

=P~

And you call my works boring?

What was the point to this? Did it have one?

There was no rhyme scheme to this, no clever if any wordplay, absoloutley zero metaphors, and the content was abysmal.

Honestly, this wasnt too good. And i’m not just saying that to be mean. I thought most poems have SOME type of rhyme scheme even if it isnt the traditional a,b,a,b. Also, try a little complexity. Go a little deeper then silly poems about nothing.

My work speaks for itself, I don’t feel the need to defend it.

cat fight.

rhyme scheme? why? why do we need rhyme schemes? its arbitrary, overdone, archaic, and cute. cute like my poems from elementary school when i wrote about the sun and my homework being done and how fast i can run in the sun while having fun. ton.