[b]William Gaddis
Then, what is sacrilege? If it is nothing more than a rebellion against dogma, it is eventually as meaningless as the dogma it defies, and they are both become hounds ranting in the high grass, never see the boar in the thicket. Only a religious person can perpetrate sacrilege: and if its blasphemy reaches the heart of the question; if it investigates deeply enough to unfold, not the pattern, but the materials of the pattern, and the necessity of a pattern; if it questions so deeply that the doubt it arouses is frightening and cannot be dismissed; then it has done its true sacrilegeous work, in the service of its adversary: the only service that nihilism can ever perform.[/b]
More or less Moreno’s point, isn’t it? Remember him?
That was Youth with its reckless exuberance when all things were possible pursued by Age where we are now, looking back at what we destroyed, what we tore away from that self who could do more, and its work that’s become my enemy because that’s what I can tell you about, that Youth who could do anything.
Or in the vernacular that I prefer: Kids.
I see the player piano as the grandfather of the computer, the ancestor of the entire nightmare we live in, the birth of the binary world where there is no option other than yes or no and where there is no refuge.
Either that or the fucking music box.
The Mona Lisa, the Mona Lisa…Leonardo had eye trouble…Art couldn’t explain it…But now we’re safe, since science can explain it. Maybe Milton wrote Paradise Lost because he was blind? And Beethoven wrote the Ninth Symphony because he was deaf…
Or maybe we’ll never know for sure.
There’s much more stupidity than there is malice in the world…
How consoling.
I’ll tell you why yes, because why people lie is, because when people stop lying you know they’ve stopped caring.
I know: You’re sorry you asked.