The Morality Machine
Phil Badger considers what it would take to make truly justifiable moral decisions.
The point is that the truth about the film is not arrived at by simple perception, nor is it reached by logical deduction (there is no mathematics of film criticism), but remains something other than merely a matter of taste. Liking a film is not like liking liquorice, and the reasons we might give for doing so are clearly more than simple rationalisations of our tastes.
This gets tricky however because there are aspects of film making that do involve learned skills such that some are clearly better at it than others. But even among these technical crafts, there are no doubt arguments regarding what is best for the film.
Similarly, a film screenplay might be well written or badly written. But is there anyone among us who can make this distinction every single time?
So, what is 100% accuracy necessary for? Knowledge? it being in a different category from liking of disliking the taste of licorice? What is the lack of 100% accuracy entail that contradicts, for exmaple, something in the article?
Also, there are films like Birth of a Nation which many agree was technically well-made. At RT it garnered a 91% fresh score.
Richard Brody from The New Yorker
âProblematically, âBirth of a Nationâ wasnât just a seminal commercial spectacle but also a decisively original work of artâin effect, the founding work of cinematic realism, albeit a work that was developed to pass lies off as reality.â
AndâŚ
"The movieâs fabricated events shouldnât lead any viewer to deny the historical facts of slavery and Reconstruction. But they also shouldnât lead to a denial of the peculiar, disturbingly exalted beauty of âBirth of a Nation,â even in its depiction of immoral actions and its realization of blatant propaganda.[/quote]
If a moral realist wrote this, it would likely mean that while that film is technically well done, it is morally reprehensible. Iâm not sure what this means in the context of a moral nhilist bringing this up. What is it rebutting in the article? What was the point of mentioning this?
Instead, moral nihilists suggest that while moral objectivists might construe any particular film as depicting either moral or immoral actions, even here in a No God world that will always be derived from political prejudices largely rooted in dasein.
This would be true of any film. So, why was your example Birth of a Nation? Why did a moral nihilist choose that exmaple?
A pertinent question is how similar are our moral views to our opinions about films? Clearly in both the film and morality cases, reasoning is important, and as in the film case, I might be able to persuade you to change your mind on some important moral issues. I might, for example, point out an inconsistency in your views about suffering that lead you to reevaluate your views on euthanasia or vegetarianism.
On the other hand, who here is able to persuade us that their own â and only their own â assessment of the filmâs moral stance is the correct one?[/quote]But, then again, itâs different from the licorice type issue, where discussion would probably never work to change someoneâs mind.
Do you disagree with the distinction between the taste of food and taste in films that the writer is making?
Yes, our tastes in foods can change over time, but rarely via discussion. it would be impossible for someone to reframe my experience of butterscotch ice cream and I realize, upon tasting it again, that I actually like it.
Even in a single day, can I reappraise a film (or novel, piece of music) or someone else can I have a very different experience of it. No amount of badgering me is going to change how I feel about butterscotch ice cream. No reading of food criticism is going to either.