just a few notes on artistic process, for those interested in creativity in gen, followed by a few lyrics…
so my desire to write (songs) often coincides or briefly follows my desire to listen to music, which is now fleeting at 42
So if I discover a song or recording that makes me excited, albeit briefly, and feel that I have ears and a heart again, and this coincides with a temporary fascination about a subject, then a song can ensue.
I can’t ever ever force it anymore, it only comes out as an act of silliness at first, I start to play something for fun and say “hey, that’s actually nice,” and that’s the process.
I’m not interested in writing anything that doesn’t feel magical. I used to contrive songs strictly from my brain as a form of playing and puzzling out melodies based on influences, and I was able to do that very well for a while.
There are a few songs that feel like magic to me: I Am The Cosmos, Something In The Air, Crimson & Clover, Hey Jude, Take It To The Limit, Whiter Shade of Pale, and probably several others.
If it was easy to write/record like that people would do it all the time. In between these flashes we are left to contrive and construct, and I’ve been okay at that over the years, but I’m fucking tired of it.
I will never do that again. What I WILL do is if I get a flash, I MAY pursue it.
DFW is a song I’m working out, stands for David Foster Wallace. I have been fixated on his writing and personage for a while. It’s a cliché, exhausted and somehow not okay to be interested/impressed with Wallace in anything but an ironic way, because so many lit geeks and hipsters are infatuated with him and his writing, most agree that the whole thing is just overblown and nobody has anything new or useful to say about him.
To even like him is sort of a form of patting oneself on the back. DFW was a genius, a polymath, compulsively self-effacing and reads like a heap of deep hyper-awareness, familiarity and aliveness, and it seems like a lot of people want to own him and appropriate what he had going on, and feel like they are like him or something.
He killed himself at 46, he was severely depressed, and his depression was of course a very deep, existential form helped along by a nasty bundle of neurons and medication issues that backfired.
I can’t help but feel like I am like him in some ways, and that he spoke for me while also teaching me how to think and speak better, at times I feel like his pale doppelgänger, and in all this there’s a pang of uneasy shame knowing that this is the exact feeling that people make fun of w/r/t to DFW fans. DFW was himself interested in irony if somewhat opposed to it, and would probably forgive me for liking him, while understanding my reticence.
And so but I started writing this song, so far I have a few strains that sound cool and pure, a kind of astute & sexy simplicity* in chord/melody for verse/chorus, coupled with a few lines in the chorus:
DFW
What we gonna do with you
We’re not thru with you
oh no
DFW
Off to God above with you
He’s gotta be in love with you
If not you
Who?
*There are only a few ways to write a pop song, and a lot of them have already been taken. To come up with a melody that’s both simple and distinctive is no easy task. Most songwriters, especially amateur ones, recycle bad melodies, they’re not even smart enough to recycle good ones. The trick is to come up with a good melody, simple, elegant, as to be hummable and transportive and new, without reinventing the scale or reverting to too much vaudevillian chord play.