Ode To Men Of Few Words

Ode To Men Of Few Words

Curt was born a man of few words. He came into the world with a solemn face full of idiot knowing, a mere cunt potato, consulting with angels in the way a cancerous, 20-something spaniel might chat with a pile of rags or an old yoyo. Curt’s mom had an embolism which killed her but not her lactation, and Curt fed on dead milk for a spell. They pried him loose and gave him to Carl, a man who’ll eat anything so long as it’s pickled.

Carl sold bogus insurance out of an idyllic highway storefront near a fetish joint where the trucker-clergy contingent enjoyed having the sides of their penises hypodermically injected with ladies’ high heel shoes pre-dissolved in hydrochloric acid.

The year was 2027 but it may just as well have been 1727, and Curt’s dad Carl died of a cake overdose, which he had pledged would kill him before the syphilis. Curt was only two when he was torn from his blessed roots. And the cake wasn’t even chocolate.

Curt was raised to keep quiet by Old Cheese, one of six madams who worked the day shift near the cemetery. She was locally credited for reviving the lost art of the toothless blowjob and had made enough to buy herself eight mattresses. Curt grew up emptying heavy garbage amid foul ecstasy, and by night the working girls would bare their souls, fuck him and beat him, and as his muscles hardened he earned a reputation for being a good listener.

A customer called Husky Jeans Johnson drank too much and thought he’d take the boy on the road, put a copyright on the one-word-answer simulacrum routine and make a fortune. He slipped Curt a tranque but Curt saw and while pounding Husky’s head into red and gray spaghetti Curt said rather little. He had a job to do, by golly, and there wasn’t nothing needed to be said about it. Herein lies the charm of Curt, man of few words.

Curt set out on his own and worked at a general store, and lived seven more years. He…

• laughed three times
• ate nine-hundred and forty-two flapjacks
• told one joke
• made two-hundred and ninety pots of coffee
• made four pots of decaf
• paid income tax twice
• strangled seventeen waitresses to death
• named and fed two dogs
• went through three pairs of boots
• spoke two thousand, nine-hundred and fifty-one words – only one of which was “hiel.”

One of the waitresses that escaped was Chowder Pig Sally…a relation to Old Cheese, and her being raped was no accident. She liked men of few words. Curt hadn’t said a lot but his sperm had said “let there be Dan and Doug,” and the message thundered through the caverns of Chowder Pig’s womb and the week after Curt died, Curt begat Dan and Doug.

Doug was a child of the dairy slug variety who emerged from utero in a worn-out green bathrobe, insisting that it made him feel somehow “more svelt, per se.” Five years later, Chowder cured Doug’s loquacious nature with a home lobotomy kit stolen from a sleeping Jehova’s Witness, and Doug became mute and heterosexual in twelve languages. Later he shot himself in the back of the head and the bullet exited through his mouth, hitting his mom in the ear, rendering her dead instantly, and far worse, deaf.

Dan was the quiet one by nature, and he grew up to join the trucker-clergy contingent, and he’d pay to have hookers melt down sexy shoes and inject them into the side of his penis. Not because he liked it, but because “that’s just what the trucker-clergy contingent does, by golly. Ain’t nothing more to say.”

An acid-laden liquified shoe must have penetrated beyond the dermis and cohered to Dan’s sperm cells, because his wife gave birth to a pair of high-heeled shoes named Goat and Wolf…names you might expect for boys, but these were girl shoes. Having boys’ names made it hard for the girls growing up, and psychologists said they probably refused to talk at all because of all the teasing they had to endure on account of their names. The parents tried changing the names, but the damage had been done. The shoes, lacking the requisite social skills, failed to find mates and the bloodline was silenced for good.

This shts wack!

Gamer,

I love it

Men of few words, indeed.

hmmm…

I understand “hm.” Even “hmm.” But “hmmm…” needs explaining. Why the 3 ms? Are you secretly with the 3M Corporation? Rather blue chip of you.

You’ve got an unusual brain there, Gamer. :smiley:

I have a very typical brain. Perhaps you meant my scrotum, which is unusual in that it functions as a crude parachute.

Long ago i realize that there is nothing wrong with ‘un-usual’.
I dont care if he act like all 3 stoojez at once,
love and practical reason are key, everything else is character!
(in theory) ~ luv 4 u! :laughing:

I’ve always wanted to skydive naked. Perhaps if we exchange scrotums my dream can become a reality. You will find the joy of better-fitted and more comfortable undergarments. So you see it’s beneficial for us both.

Ah but I have my briefs custom made. Or when in Cleveland I buy them at Bob’s Big Scrotum Emporium, along with a wide selection of foods, sundries, garments and furniture all specially designed for the scrotally enhanced. Nonetheless I will consider your offer.

:stuck_out_tongue:

Okay: hmmm =

the short “hm” sounds so definitive, in fact, I would say, it is the sound of someone displeased with something, and articulates this displeasure with a short hm. The “hmm” is the more polite form of “hm” which really does not mean some other things but just to be polite: so, same sentiment wrapped in a different patterned paper, with a slightly different color ribbon.

The “hmmm”: now that is something else! There is a pronounced approval, a sense of true understanding, in short, an articulation of pleasure that is not quite finished, not in the sense that a decision is final, but sort of like getting there, arriving there, sort of like a process of receiving that pleasure that happily rolls off between the palate and the tongue, with the proper amount of breath, and vocal cord vibration.

now why am I thinking of baby scrotum?

hmmm

Well from a fiction standppoint, I think the last paragraph of the piece is rushed, probably because I was rushed when writing it. I have a tendency to write impatiently, to let it explode on the page and then send it out, angrily! (An ILP influence?) But I think you’re right Arendt, if I catch your drift, that there’s potential, if not fully hatched.

I wroter another ode a while back, to the strong, and since it was pretty solid I thought I might do a few more odes, mainly in “praise” of positive attributes, that upon examination, might reveal to be less purely positive then convention holds. Uncovering the complicated and always flawed underbelly of certain labels like “nice,” strong," “generous,” or any other good word.

This piece gets off track, because it becomes mere cleverness…or an exercise in creative, poetic, shock humor and absurdity which is fine if it represents and elevates something of reality (the one about the strong) but probably a guilty pleasure if it gets to silly or hard to interpret.

hmmm…great ideas. I can’t top that.

As some character in a story once said, killing is only incidental. The attempt to bring out the best in a thing, must also bring out the muck, incidentally.

Well that’s interesting. But bringing out the muck in this case would be intentional. I want to force people to see the gray area that exists between the idea of cool and loser. I bristle when we attribute labels like smart or pretty or passionate, because it ignores the truth, the flipside which is ALWAYS there, and that sort of language chops a person in half and maims them and robs us of their complexity. At it’s best this sort of ode would be an elixir for those who’ve been stuck with negative labels, a reminder that positive labels are wishful conveniences and at worst a conspiracy against complexity. A cop who is brave in one area of life is a craven coward in another. A woman with a model’s face might have an ugly soul, or even an ugly burn on her scalp covered by a wig, or yellow teeth covered in bleach. Perhaps she’s addicted to laxatives. A cute, loyal puppy finds his master bleeding to death. Does he call the paramedics? No. He laps up the blood, wagging his tail.

So, now you know you have a compelling reason to do philosophy even in creative writing: ordinary ways of looking at things need explaining, because something is missing, something isn’t quite right. We gloss over many things to the detriment of our own understanding of their true nature. We mask what we don’t want to see, and we cling to what’s appealing: the beautiful, the clever, the clean. The other half gets to be the nagging blur, an inkling, that we’d rather forget.

So, write about it then…

We must be careful when choosing the words to tell the epitaph, the eulogy, the story, the ode, the christening, the report…of humanity. We must choose carefully the lies with which we will attempt to capture something of truth. We’ve always seen what we needed to see. What reason c an you think of to need to see badness?

Excellent question!

So many have worked on this premise that a need, a purpose, must be defined first so as to give credence to any activity we might embark on. Investigaton itself, for the sake of a peek into the real humanity, with all its ugliness, should be enough. Anything more than that is again, trying to find beauty or even perfection in what you do. A dog licks itself because it can.

Gamer, your sense of humor reminds me of the recently deceased comic- Mitch Hedberg. If you’ve never heard of him, check him out. I bet you’ll get a kick out him. For example he says " I had an ant farm when I was a kid… those f@!&% didn’t grow s&$"

“I don’t have a girlfriend… I just know someone who’d be very mad if she heard that!”

“When I was a kid… I used to lay in my twin bed and wonder where my brother was”

Yeah… mitch was hilarious