Think about the songs we sing or hum to, when we take on the identity of the lover or the disappointed in the song almost without thinking about it. Or think about the adaptation of personalities in stories by children or when they ‘play’ their parents in games. These are means of getting a ‘grip’ of life and it has been a common means of understanding what cannot be ‘grasped’ physically. The same happens with literature, theatre and film today, when (not just young) people adopt the posture and language of their heroes or idols.
Unfortunately, the subculture of youth has often been superficial or, to some degree, destructive. Many of the idols of youth have been tragic personalities who end their lives with drug or alcohol abuse, with a retreat out of society, with death by misadventure or accident, or they disappoint by returning to tedious normalcy. It is understandable, since these characters portray the situation of many young people who lack significant Myths, in a world where reason and rationality are assumed to give answers for everything.
Some feminists have called women back to their role as story-tellers, finding many ancient stories wholesome and good for the development of children, relationships and society. They say it was when Men took over the storytelling that things went wrong and women became subjugated. Again, those stories were Myths transporting elementary truths which reason and logic has no access to and support the thesis of Mythos complementing Logos.
It is the enactment of the Grace of God by his Children by means of liturgy or lifestyle that brings this Mythos to life. God is the great Mystery at the beginning of the world, the source of life and of wisdom. This grand Prime Mover created a world with everything to sustain life - a planet that astounds mankind, full of fascination and challenge. Somewhere at the beginning of civilisation the Mythos develops, and Abram leaves his old tradition behind to become the father of as many people as there are stars. A spiritual man, a mystic, a visionary, stumbling through life, blown here and there by the cultures of the half-moon, collecting wisdom and preserving it, by sustaining a culture of Mystical Myth. How it all continued you can read in Genesis.
In Germany I read a number of books by ‘Magister Hellmuth Frey’ written thirty years before in 1950. Those thin books in the old German script - an exegesis of Genesis – were fascinating because they showed the Mythology of Abraham, Isaac and Jacob to be an exciting narrative that needs to be read in the night around bonfires. The great gap between Jacob/Israel and Moses is only artificially closed by the editor of Genesis, and if you read closely you know that this Mythology had been taken up by a people who probably weren’t his biological relatives at all.
But that again is a point that Jesus picks up, when he says that God can create children of Abraham out of the rocks in a river. It isn’t the biological lineage, but the spiritual lineage that is valuable. It is the trust of Abraham with which the covenant is made – made one-sidedly at that, God being the only partner who goes through the ancient rite. Abraham is ‘excused’ – as he often is during his ‘trials’. The children that will be ‘as numerable as the stars’ are those that pick up the tread of this Mythos and live it on. The Tale is full of archetypes, just as Moses too, is a model of the new Israelite, like Joshua, emerging from Mizraim, assumed to be Egypt, picking up the thread that ended with Jacob/Israel and his sons.
This tradition transports the mystical experiences made with the Mystery, with “I am he, who is†– a clear proof that mankind cannot know the name of the Mystery, cannot grasp him, or have influence over him. Moses is told: “ Tell them ‘I am has sent me to you’!†It is a tradition that can be picked up by people like me thousands of years later – providing we don’t mix Logos with Mythos.
Shalom
Bob