“Lord God, Enlightener of hearts, my face is a true face; for You, who are Truth, have given it to me. My face is also an image; for it is not Truth itself but is the image of Absolute Truth. Therefore, in my conception I enfold my face’s truth and image; and I see that with regard to my face the image coincides with the facial truth, so that my face is true insofar as it is an image. And subsequently You show me, O Lord, that with respect to the changing of my face Your Face is changed and unchanged, alike: it is changed because it does not desert the truth of my face, so also it does not follow the changing of the changeable image. For Absolute Truth in Unchangeability. The truth of my face is mutable, because it is truth in such a way that it is image; but [the Truth of] your [Face] is immutable, because it is image in such a way that it is Truth. Absolute Truth cannot desert the truth of my face. For if Absolute Truth deserted it, then my face, which is a mutable truth, could not continue to exist.â€
- De Visione Dei, chapter 15
Nicholas de Cusa gives, in this remarkable passage where he compares the Truth to the experience he has when looking at the face of a painted Icon, that is “an image in such a way that it is Truthâ€, the confirmation of the truth of his own face. What is curious in consequence to me, is that in that we look into the faces (and words) of others so as to verify, and indeed produce our sense of what is “objectively†real, epistemologically do we not follow Nicholas de Cusa here, that the world - in the light of our rationality (internal cohension of thoughts), in the light of our many vocabularies and social practices of justification - stares back at us, confirmingly in some way. For instance, is this not the subtle confirmation that Science is what Nietzsche called “the most exact humanization”? Is not here in this passage, both the intersubjective foundations of the epistemological, a facialization produced by the gaze, reflected in a painter’s hand, but also the suggestion the cohesion of perception itself, what de Cusa calls “in my conception I enfoldâ€, grounded in the fundamental act of some degree of projected intentionality in the things observed?
Dunamis