Why is this great poetry?

So I pick up The Oxford Book of American Poetry the other day (very well-respected, well-known anthology) and I begin to leaf through its 1132 pages. This is a huge anthology of what I would presume to be some of the best poetry in the history of American poetry.

And yet…

And yet I find one poem after another that leaves me staring blankly at the pages, feeling nothing, and wondering how such poems could make it into any kind of anthology.

Here’s one example from 1934. I point out the year because presumably this one must have survived the test of time. Here it is 72 years later and the poem lives on.

This Is Just To Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

–William Carlos Williams

72 years.

I would say maybe 30-40% of the poems in this anthology are of this caliber.

Am I missing something? Why is this a great poem? Anybody?

http://www.english.uiuc.edu/maps/poets/s_z/williams/just.htm

Thanks Daybreak. But anybody can put any 28 words together which will “allow the reader a wide range of possibilities.” In fact, by this idea, posting a completely blank page is even better. This poem produces nothing. No emotion, no feeling. Nothing. And no amount of apologizing for it with grandiose explanations can cover that.

My suspicion is that it’s a poem about some plums that Billy Williams absconded with one night. Completely and totally out of ideas, he threw some words on a page about it. Who knows. Maybe there was a deadline approaching. A well-respected poet, people decided it must be a great poem.

For some reason I am thinking of Peter Sellers in Being There

I don’t necessarily see what’s so ‘great’ about it either; but I wouldn’t go so far to say it ‘produces nothing’. In one way or another it addresses simplicity, theivery, forgiveness, relationships, morality and hedonism. Moreover, the piece is probably as popular as it is because it’s an example of imagery. There doesn’t have to be a hidden message of any kind, rather the point is to focus the reader’s attention on the simplest objects and movements (icebox, plums, eating, breakfast) that open certain doors by appealing to the senses.

the book
sits on my desk,
under a lamp.
unmoving
with its pages
yet to be read.

10 seconds including the time it took to post. Somebody anthologize me! I’m a genius!

But seriously – I’ll buy your explanation. If it produces something for somebody than who am I to argue. After all, they make different flavors of ice cream for a reason.

Well
The thing is I
Truly did enjoy
Your little poem

The pretense of the poets I suppose…they see some kind of meaning or ambiguity in everything…

The vast majority of poetry can be dismissed as complete bullshit quite easily. The human spirit and soul are more often than not quite laughable.

What many consider to be cherishable others find simply whining sentimental nonsense. Perhaps all the poets are mere fakers in a perpetual game of show and tell.

I think the majority of poetry is dogroll bogroll whining drivel.
That seems about the size of the human spirit by and large.

Even I enjoyed your little observation poem
I guess some people, largely poets, have a close love and relationship with language, we like to play games with it, we like to squeeze out its juice, we love to place layer upon layer of meaning…

For the most - poetry is a pretty small time art - for the majority is outlandishly boring dull and indulgent. I could probably find interest in most if not all poetry - good or bad - ugly or beautiful.

Good comments Colin. I disagree though about the human soul and spirit. I think these things can be quite noble, and poetry has the capacity to reflect this, if one is so inclined to write it that way.

Sensible comments rainey and colin.

IMO, when “they” compile these anthologies, they’ve got lots of agendas and lots of boxes to tick, and quality is only one of them. And as a rule, any anthology will have less-than-half good stuff in it.

The worst thing about seeing a pisspoor poem in a publication is the knowledge that one can/has done better oneself.

I imagine there’s plenty who say the same about Pollock and Picaso.

I couldn’t outpaint Picaso. Now Pollock, on the other hand…

:laughing:

Hey may, I know you wrote this as a lark to demonstrate the point you’re trying to convey, but you’ve actually proven the refutation of your argument, b/c you’ve actually written a good poem in your attempt to be a smartass. What you’ve done is remove the inner critic and just simply think a thought and commit it to text in a way that reads poetically. Not all poems have to have KISS-style pyrotechnic imagery or have to contain some pound-you-on-the-head message to be considered great poetry or require the expendature of great amount of time to labor over a grouping of words. In fact, most of the best poetry I have read is in fact more on the subtle side of imagery and content and not hyper-bombastic. The brevity of the poem you wrote and the super short amount of time it took to compose it along with the simple imagery you chose are irrelevent. You wrote a good poem; and, it matters not that it’s intentionally short and simplistic and that it took you all of 10 seconds --were you using an Olympics-certified Swiss watch to calculate the elapsed time-- to compose - it’s just as long as it needs to be and has all the imagery it needs with all the needless gristle removed.

Having said all that, this is a good poem, but not necessarily a 5-star classic. It is an excellent piece of reflexive writing that accidentally became a good poem though that was not your intention when you composed it. While thumbing your nose at Williams, you actually penned/keyed an accidental parodic homage to him.

I ditto your reply

Check out my reply to his post - the un-poem poem

Nels.

Hi Nels.

I think I’m going to have to disagree with you that I’ve proven the refutation of my argument. I disagree with your premise that what I’ve produced is a “good” poem. It simply isn’t. Now, Daybreak put a title to it (“Wisdom”) and started a thread here under that name trying to show why he, too, thought it was good. He actually put forth quite an impressive interpretation of it. The problem, as I told him, is that the interpretation says nothing about the poem or the poet, but everything about the one doing the interpreting. The Underground Man made a similar argument to Daybreak’s about the Williams poem under yet another thread (this discussion has now crossed three threads) and maybe I can use this opportunity to elaborate on what I told him.

Williams’ poem relates some bare facts (not unlike my “Wisdom”), specifically about the fate of some plums. This is all that it does. It suggests nothing. Yes, it can be interpreted, but so then can a simple news article from page eight of the Wall Street Journal. Does this make the writer of the news story a poet? Is his news report a “poem” merely because it causes a reader to think something more profound than what was intended?

In my estimation, a poem ought to suggest something, ought to hint at a deeper meaning. It is, I think, the poet’s job to take us by the hand and, as an example, show us something extraordinary in the mundane, to act as intermediary between something he has described, and the meaning behind the description, to walk us up to something significant and show it to us, all the while allowing us to reach our own conclusions by breathing just enough life into the subject matter to make us care, and make us want to take a deeper look. We relate in some way to the poem not by accident (because, perhaps, we had a coincidental “plum” incident of our own one time, only with peaches) but because the poet has found a way to open our minds a bit.

Now, if the Williams poem has done this for somebody (and I repost it below in its entirety just in case anybody has forgotten it) then I can’t argue with them. I would, however, suggest that William Carlos Williams, being a well-respected poet, was given just a bit of slack on this one by posterity. He must’ve meant something, I can imagine the train of thought going. He’s a great poet after all! And so we scramble to find meaning when, in reality, none was offered.

==================================

This Is Just To Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

–William Carlos Williams

I love to state the obvious so I’ll state it.

This poem was a little message left to someone who had left strawberries out for breakfast. True story.

Yes!

Tomorrow I plan on posting my dry-cleaning instructions.

If you can do it in an artistic fashion - please do.

Until then stop envying the fact the William Carlos Williams underpants are much better than yours…

:slight_smile:

Plums, Colin, plums.

I could go on at great length about the literary quality of this poem (one I read over a decade ago, and admired even then) but I’m not sure that someone who doesn’t see the point in criticism, i.e. Rainey, would understand what I was saying. Maybe tomorrow.

You’re probably right, SIATD. I probably wouldn’t understand what you were saying…

But I’m not sure why you think that would be because I have some aversion to criticism. Nobody, after all, has been more critical than me, right here under this thread. I have mentioned elsewhere that poets do not write for the critics. This is not the primary motivation of a poet. But this isn’t to underestimate the value of criticism, both to the poet and to those who like to study poetry.

So yes, by all means, please fill me in on the literary quality of Williams’ poem, especially given this: