Der Herbsttag by Johann Heinrich Voss

Well, done 99 no 77 pardon, impress I’ve
Woke just
gettin’ down to do the Thang

Get started now or forever hold it.
Must think t are a sabbatical say , stay tuned won’t be as long as a very long walk. Meanwhile promised encode_ I read upwards another chapter I feel
Him as as strangely alone like I am a camera formed out of mirrored prisons.

Anti psychiatry does not necessitate the concept of ruling it’self out, front and center now down and out awhile.
Glad mother approves the regimen

Boys on beach know Brian in my room how UT works.
Freakish, strange how low dare you to go maybe not limited but fear it is. by something insidious, saw Saw 2 got scared turned it off.

I’m am more convinced of THE connection then the connected so go now brush teeth etc am care.
(Not tryin mystery like on Nile but death does part. ~ some think.)

Very interestin’ must do declare. But all true Your honor to best of your know ledge.

Truth or dare?

memo nome meno

And after all whose afraid of the big bad wolf except…

And thinking what daddy said not to guzzle Burgin before noon.stucking to that deliberationed regimen.thank you me fine(d)

Occasional burp

Yeah it’s much much more likely than not accepting you said about Pascqual on mathematical basis, but even if, Existence is not essential and with all the proof and the acid test before the cybernetic one, can deal with it, yessir proven to Hisself as such.

I am leaving now, but unlike some, EC and more like McArthur I kindly ask readmittence got the note from a principals office.

Hate to be a shaker and a mover among my piers, and but shylocked into some kind of strangeness unto death, but could go on and on and now must cut it.
Over and out.

(The bell rings and turns into a weird warwolf, simulation of 'I was teenage ware wolf- Tupperware version get two for one shipped from our factory in COMMERCE.)

Yeah it’s much much more likely than not accepting you said about Pascqual on mathematical basis, but even if, Existence is not essential and with all the proof and the acid test before the cybernetic one, can deal with it, yessir proven to Hisself as such.

I am leaving now, but unlike some, EC and more like McArthur I kindly ask readmittence got the note from a principals office.

Hate to be a shaker and a mover among my piers, and but shylocked into some kind of strangeness unto death, but could go on and on and now must cut it.
Over and out.

(The bell rings and turns into a weird warwolf, simulation of 'I was teenage ware wolf- Tupperware version get two for one shipped from our factory in COMMERCE.)

Double post sorry*

*off to see the wizard
I

“Are you a good witch or a bad witch?”
“You’ve no power here! …
“You’ve always had the power my dear, you just had to learn it yourself.”
“Someplace where there isn’t any trouble. …
“Toto, I’ve got a feeling we’re not in Kansas anymore.”
“My! …
“Don’t be silly, Toto."

  • 2 + <<<<<<<<<<<<<<<<<<<>><

“If you can’t join them beat them”

James Watson

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4
Arthur Rimbaud Follow
Romance
When you are seventeen you aren’t really serious.

  • One fine evening, you’ve had enough of beer and lemonade,
    And the rowdy cafes with their dazzling lights!
  • You go walking beneath the green lime trees of the promenade.

The lime trees smell good on fine evenings in June!
The air is so soft sometimes, you close your eyelids;
The wind, full of sounds, - the town’s not far away -
Carries odours of vines, and odours of beer…

II

  • Then you see a very tiny rag
    Of dark blue, framed by a small branch,
    Pierced by an unlucky star which is melting away
    With soft little shivers, small, perfectly white…

June night! Seventeen! - You let yourself get drunk.
The sap is champagne and goes straight to your head…
You are wandering; you feel a kiss on your lips
Which quivers there like something small and alive…

III

Your mad heart goes Crusoeing through all the romances,

  • When, under the light of a pale street lamp,
    Passes a young girl with charming little airs,
    In the shadow of her father’s terrifying stiff collar…

And because you strike her as absurdly naif,
As she trots along in her little ankle boots,
She turns, wide awake, with a brisk movement…
And then cavatinas die on your lips…
IV

You’re in love. Taken until the month of August.
You’re in love - Your sonnets make Her laugh.
All your friends disappear, you are not quite the thing.

  • Then your adored one, one evening, condescends to write to you…!

That evening,… - you go back again to the dazzling cafes,
You ask for beer or for lemonade…

  • You are not really serious when you are seventeen
    And there are green lime trees on the promenade…

Original French

Roman

I

On n’est pas sérieux, quand on a dix-sept ans.

  • Un beau soir, foin des bocks et de la limonade,
    Des cafés tapageurs aux lustres éclatants !
  • On va sous les tilleuls verts de la promenade.

Les tilleuls sentent bon dans les bons soirs de juin !
L’air est parfois si doux, qu’on ferme la paupière ;
Le vent chargé de bruits - la ville n’est pas loin -
A des parfums de vigne et des parfums de bière…

II

-Voilà qu’on aperçoit un tout petit chiffon
D’azur sombre, encadré d’une petite branche,
Piqué d’une mauvaise étoile, qui se fond
Avec de doux frissons, petite et toute blanche…

Nuit de juin ! Dix-sept ans ! - On se laisse griser.
La sève est du champagne et vous monte à la tête…
On divague ; on se sent aux lèvres un baiser
Qui palpite là, comme une petite bête…

III

Le coeur fou Robinsonne à travers les romans,
Lorsque, dans la clarté d’un pâle réverbère,
Passe une demoiselle aux petits airs charmants,
Sous l’ombre du faux col effrayant de son père…

Et, comme elle vous trouve immensément naïf,
Tout en faisant trotter ses petites bottines,
Elle se tourne, alerte et d’un mouvement vif…

  • Sur vos lèvres alors meurent les cavatines…

IV

Vous êtes amoureux. Loué jusqu’au mois d’août.
Vous êtes amoureux. - Vos sonnets La font rire.
Tous vos amis s’en vont, vous êtes mauvais goût.

  • Puis l’adorée, un soir, a daigné vous écrire…!

  • Ce soir-là,… - vous rentrez aux cafés éclatants,
    Vous demandez des bocks ou de la limonade…

  • On n’est pas sérieux, quand on a dix-sept ans
    Et qu’on a des tilleuls verts sur la promenade.
    © by owner. provided at no charge for educational purposes
    L

the repetition in life is not changed.

Rimbaud ‘Illuminations’

poetryintranslation.com/PIT … mbaud2.php

Circling vultures if by land, circling sharks if by sea, circling hounds of heaven if by …

familyfriendpoems.com/poem/ … ler-wilcox

englewoodreview.org/alexander-p … sian-poet/

Pushkin

Skip to main content

VANITAS! VANITATUM VANITAS!

JOHANN WOLFGANG VON GOETHE

MY trust in nothing now is placed,

Hurrah!
So in the world true joy I taste,

Hurrah!
Then he who would be a comrade of mine
Must rattle his glass, and in chorus combine,
Over these dregs of wine.

I placed my trust in gold and wealth,

Hurrah!
But then I lost all joy and health,

Lack-a-day!
Both here and there the money roll’d,
And when I had it here, behold,
From there had fled the gold!

I placed my trust in women next,

Hurrah!
But there in truth was sorely vex’d,

Lack-a-day!
The False another portion sought,
The True with tediousness were fraught,
The Best could not be bought.

My trust in travels then I placed,

Hurrah!
And left my native land in haste.

Lack-a-day!
But not a single thing seem’d good,
The beds were bad, and strange the food,
And I not understood.

I placed my trust in rank and fame,

Hurrah!
Another put me straight to shame,

Lack-a-day!
And as I had been prominent,
All scowl’d upon me as I went,
I found not one content.

I placed my trust in war and fight,

Hurrah!
We gain’d full many a triumph bright,

Hurrah!
Into the foeman’s land we cross’d,
We put our friends to equal cost,
And there a leg I lost.

My trust is placed in nothing now,

Hurrah!
At my command the world must bow,

Hurrah!
And as we’ve ended feast and strain,
The cup we’ll to the bottom drain;
No dregs must there remain!

Join Goethe

He rises and begins to round,
He drops the silver chain of sound,
Of many links without a break,
In chirrup, whistle, slur and shake.
For singing till his heaven fills,
‘Tis love of earth that he instils,
And ever winging up and up,
Our valley is his golden cup
And he the wine which overflows
to lift us with him as he goes.
Till lost on his aerial rings
In light, and then the fancy sings.

The lark ascending- anonymous British poem

[I’ll Be a Tree](https://allpoetry.com/Fa-Leszek-(I)

I will be a tree if you are a flower of a tree.
If you are dew: I will be a flower.
I will be dew if you are sunshine…
Just for our beings to unite.

If, maiden, thou art heaven:
Then I’ll turn into a star.
If, girl, you are hell: (how
Let’s unite) I curse

Sandor Petofi

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I wanted to analyze and post his most famous poem, right around the time the US Constitutiinal Convention was held in Philadelphia, but it’s early morning and decided to postpone it to later in the day. That is titled ‘Talpra Magyar. ITT a haza….’meaning loosely-on your feet brothers here is the home .
the German ‘heimat’ is a more precise translation.

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The tree as a metaphore brings into focus the magical summer tree of my youth, in Griffith Park, the early reverberating aspirations in my life, but back to Petofi….

<><><>

PS

Why I wear a diamond on my pinky
Because once a tree down way down/compressed
Yonder now wear billions of timeless passings
Even if I wasn’t
Pressed to heart (crane)

<><><>

Joseph Attila

Ode [Óda]

1

I am alone on these glittering crags.
A sinuous breeze
floats delicious, the infant summer’s
suppertime simmer and ease.
I school my heart into this silence.
Not so arduous–
All that is vanished is aswarm in me,
my head is bowed, and my hand is
vacuous.

I see the mane of the mountain–
each little leafvein
leaps with the light of your brow.

The path is quite deserted,
I see how your skirt is floated
in the wind’s sough.
Under the tender, the tenuous bough
I see you shake out your hair, how it clings,
your soft, trembling breasts; behold
–just as the Szinva-stream glides beneath–
the round white pebbles of your teeth,
and how the welling laughter springs
tumbling over them like fairy gold.

Wittgenstein’s Ladder

by David Lehman

“My propositions serve as elucidations in the following way:
anyone who understands them eventually recognizes them as
nonsensical, when he has used them – as steps – to climb
up beyond them. (He must, so to speak, throw away the ladder
after he has climbed up it.)” – Ludwig Wittgenstein, Tractatus

The first time I met Wittgenstein, I was
late. “The traffic was murder,” I explained.
He spent the next forty-five minutes
analyzing this sentence. Then he was silent.
I wondered why he had chosen a water tower
for our meeting. I also wondered how
I would leave, since the ladder I had used
to climb up here had fallen to the ground.

Wittgenstein served as a machine-gunner
in the Austrian Army in World War I.
Before the war he studied logic in Cambridge
with Bertrand Russell. Having inherited
his father’s fortune (iron and steel), he
gave away his money, not to the poor, whom
it would corrupt, but to relations so rich
it would not thus affect them.

On leave in Vienna in August 1918
he assembled his notebook entries
into the Tractatus, Since it provided
the definitive solution to all the problems
of philosophy, he decided to broaden
his interests. He became a schoolteacher,
then a gardener’s assistant at a monastery
near Vienna. He dabbled in architecture.

He returned to Cambridge in 1929,
receiving his doctorate for the Tractatus,
“a work of genius,” in G. E. Moore’s opinion.
Starting in 1930 he gave a weekly lecture
and led a weekly discussion group. He spoke
without notes amid long periods of silence.
Afterwards, exhausted, he went to the movies
and sat in the front row. He liked Carmen Miranda.

He would visit Russell’s rooms at midnight
and pace back and forth “like a caged tiger.
On arrival, he would announce that when
he left he would commit suicide. So, in spite
of getting sleepy, I did not like to turn him out.” On
such a night, after hours of dead silence, Russell said,

“Wittgenstein, are you thinking about logic or about
yours sins?” “Both,” he said, and resumed his silence.

Philosophy was an activity, not a doctrine.
“Solipsism, when its implications are followed out
strictly, coincides with pure realism,” he wrote.
Dozens of dons wondered what he meant. Asked
how he knew that “this color is red,” he smiled
and said, “because I have learnt English.” There
were no other questions. Wittgenstein let the
silence gather. Then he said, “this itself is the answer.”

Religion went beyond the boundaries of language,
yet the impulse to run against “the walls of our cage,”
though “perfectly, absolutely useless,” was not to be
dismissed. A. J. Ayer, one of Oxford’s ablest minds,
was puzzled. If logic cannot prove a nonsensical
conclusion, why didn’t Wittgenstein abandon it,
“along with the rest of metaphysics, as not worth
serious attention, except perhaps for sociologists”?

Because God does not reveal himself in this world, and
“the value of this work,” Wittgenstein wrote, “is that
it shows how little is achieved when these problems
are solved.” When I quoted Gertrude Stein’s line
about Oakland, “there’s no there there,” he nodded.
Was there a there, I persisted. His answer: Yes and No.
It was as impossible to feel another’s person’s pain
as to suffer another person’s toothache.

At Cambridge the dons quoted him reverently.
I asked them what they thought was his biggest
contribution to philosophy. “Whereof one cannot
speak, thereof one must be silent,” one said.
Others spoke of his conception of important
nonsense. But I liked best the answer John
Wisdom gave: “His asking of the question
`Can one play chess without the queen?'”

Wittgenstein preferred American detective
stories to British philosophy. He liked lunch
and didn’t care what it was, “so long as it was
always the same,” noted Professor Malcolm
of Cornell, a former student, in whose house
in Ithaca Wittgenstein spent hours doing
handyman chores. He was happy then.
There was no need to say a word.

https://youtube.com/playlist?list=PL3PXHJGE1uYUbg92cMwaueFLCgVNbHBy8&si=fSX9hmQyo51XMWJk

Bob- thought of an predictable scene I saw and here is something close to it;

—-

https://youtube.com/shorts/Yvo8QYYxM7w?si=cUN1MWw6hQEuW_6j

Then I remembered where I first saw a compelling image, and I am trying to reconstruct from the imagination a veritable structural validity
I am superimposing something here, but with some poetic liscence that may work

The snow scene is somewhere all through the film, in the scene where sharper connectivity is filed and toward the end in dialogue where the film is at 1 hour and 17 minutes it,

I apologize for the relevance more a singular impression, and not as much to a Germanic mileau you might be interested in as ‘art’.

The ‘naive centered persona of Loretta Young is reminiscent of a disinvited spirituality of the reformed.

——

https://youtube.com/shorts/Yvo8QYYxM7w?si=cUN1MWw6hQEuW_6j