I don’t think so, no.
If you’re not watching the menu because of cannibalism, then…
Definitely you should watch it. It’s not what you think it is.
Orson Welles & Joan Fontaine - Jane Eyre (1943)
youtube.com/watch?v=PgmVkaro8xE
This has to be one of his best.
the Marsh Girl
Last night my daughter asked us to turn it on, a Netflix new release.
Can’t say anything about it that’s not commendable.
Very well done, and more
‘Seeds of yesterday&
Great movie , perplexing and worthwhile viewing the second time, rich plot hard to untangle until the end.
OLD
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Last Friday… Jeepers Creepers: Reborn (2020)
This Sunday… The Predator (2018)
…. …. …. … … 13 (2010)
…. …. …. … … Sea Fever (2019)
…all good films.
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Today… Pacific Rim (2019)
…. …. …1
Famed stage stress Elisabeth Vogler (Liv Ullmann) suffers a moment of blankness during a performance and the next day lapses into total silence. Advised by her doctor to take time off to recover from what appears to be an emotional breakdown, Elisabeth goes to a beach house on the Baltic Sea with only Anna (Bibi Andersson), a nurse, as company. Over the next several weeks, as Anna struggles to reach her mute patient, the two women find themselves experiencing a strange emotional convergence.
Persona, Ingmar Bergman
In this sense the Dionysian man resembles Hamlet: both have once looked truly into the essence of things, they have gained knowledge, and nausea inhibits action; for their action could not change anything in the eternal nature of things; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint. Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no–true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man.
Now no comfort avails any more; longing transcends a world after death, even the gods; existence is negated along with its glittering reflection in the gods or in an immortal beyond. Conscious of the truth he has once seen, man now sees everywhere only the horror or absurdity of existence; now he understands what is symbolic in Ophelia’s fate; now he understands the wisdom of the sylvan god, Silenus: he is nauseated.
Here, when the danger to his will is greatest, art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live: these are the sublime as the artistic taming of the horrible, and the comic as the artistic discharge of the nausea of absurdity. The satyr chorus of the dithyramb is the saving deed of Greek art; faced with the intermediary world of these Dionysian companions, the feelings described here exhausted themselves.”
Wiki
Note: Wittgenstein watched film any kind on the silver screen during his ‘ illness’ and in fact any disjunctive sequence of impression that still, flows, is the film of reality we are so drawn to, *
*comments are mine note mine -me no
nice vid on Kierkegaard & applying / living truth
Thanks
Here is something quite relative to what them all was talking about imagination a better self image kind of thing
Meet Joe Black
Jerry Maguire
Casper
Hackers
Merlin (Hallmark)
Vanilla Sky
Oceans 11
Mission Impossible 2 The Chimera Virus
Somewhere in Time
Sound of Music
Big
Short Circuit
Sleepless in Seattle
Legend
Goonies
Lost Boys
Skater Boys
Face Off
Gladiator
Kill Bill 1 and 2