But hyperreality evolved out of a mix of a hypo thetical presumption?
Or, as Peacegirl would or may have it, it was the result of a process of crossing a natural boundary , as reductive, where the natural imterphased with it’s own simulation, how can this be?
The simulation or the artwork always superseded or arrived before the the real thing, so by the time the abstract expression mixed with the real medium within which it took on a formal identifiable connection, it was said that art creates reality within it’s own set boundary .
How and why became peripheral considerations.
Life became the canvas upon which muses painted purpose in an objective sense. The imminently identified generated a transcendent reality within the scope of it’s intentionality.
The topical facade bared, the emperor’s clothes bared, the naive imterpretations , covered up, shamefully , were again uncovered, not as.an intentional and formless act within a preformamcd of dissociated. gestures , by a regressive naive approach to added complexity, but through a childlike wonder toward minimalization.
Sure the metaphor thickened and.hardened the obscurity that.left hanging the enigma of spinning.a.credibal ethos out of the good or bad applications of newly formed effects that evolved between logo-semantics and scientific investigations.
Nevertheless, fillers were always introduced ex machina, breaking the pattern of a reified fallacy attributed to nature.
Natural processes intervene in that tenuous connection, man is learning slowly to begin again to do what he should do, instead of doing it unintentionally, he is reconstruxtin9 and revisimg the methods by which he first learned to doubt his power to will a new world out of the ashes that will demolish all if he does not.
And it is unrecognized forms of.love.that conjoin with the lust.for a guiltless life that has to recognized.