Gib,
Another interpretation, perhaps.
Before time began, everything was still,.before the sundile, there was many a moon, signaling the coming of darkness.
People hid in caves, in fear of natural elements, The could not count the days, they were wildly unaware , they either stood their ground and fight. or, they took to flight, away from their sight of danger.
That is, until they started to codify repeatably, over the course of many centuries worth of millennia.
The sense of stillness, appeared as perpetually motionless, they lived in an eternal frame of shameless space.
Nowedays it is almost impossible to slow6 an ever increasing loss of interplay between slices of still, life.
We can not even visualize a time when aesthetics ruled reality as a still-life.
And that stillness changed to modern art, and movement was born
Deuchamp"s ‘Lady fed ending the Stairs’ lead to cubism’s literal representation of Picasso’s grotesque abhorrent reality of twisted portraits of almost unimaginable lack of stollness, where most movement had to be filled in , in the spaces that could no longer be sensed.
Motivations with objective realities could no longer represent a willfully considered plan of action.
The mystical continuum
lost its being-reson’ d’etre.