Finding the sweet spots in those overlong jazz fusion live jams. After a relatively short period of noodling on guitar, goodsall breaks off and gives that space at 7:10 to the bass. That drop right there was a very sweet spot… structurally I mean. Getting into and out of solo periods while keeping the transitions interesting. If the basic melody is to feature only riffing and soloing, and you have no major change, you have to pull some shit to keep it fresh… especially if you go on for eight minutes.
Yo holy shit here’s that song that I didn’t know the name of that had that part somewhere in it that I didn’t even know was in it because I didn’t know what the song was. Like u have the part committed to memory because you listened to it twenty years ago… but wouldn’t have a clue where it was in the discography. If the fucking songs weren’t so long and compositional, u wouldn’t get all the cool parts mixed up in your memory with no idea where to find them when you go looking for them twenty years later.
Are this two guys probably the same guy?
When 77 years old. - - - - - - - When 61 years old. - - - -
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“All the crazy shit I did tonight, those would be the best memories…”
[youtube]http://www.youtube.com/watch?v=4Iiuxpt5jws[/youtube]
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…current mood …tho not the words but only the sultry vibe of the track… pity the lyrics are about degeneracy.
[youtube]http://www.youtube.com/watch?v=bQr0-HDy290[/youtube]
I remember what it was that planted the seed of the love I would have for progressive rock as I grew into my adolescence, and the ear I would have for recognizing it even as a child. It was a life changing experience and as I listen to it now I am almost brought to nostalgic tears if joy. Please give me this moment.