Thnx, the action is real outdated, but the generic title is what is both an offer of trips of subtle
hints of coming attractions spiced up with large doses of ’ how it was when we could have made America great again’ to stay.
Then all this retro simulated burnings of a pseudo Reichtag could have been prevented.
Storming the Bastille would offer too strong a message, since even Trump could not withstand criticism for messaging that it was him that started started revolution against the ancien regime. Although even that method of political revision might be conceivable.
Sorry, but I no longer click on unidentified links. If you’d title your links, I’d have more faith in what to expect and less fear of wasting time on nonsense.
Sorry, but I no longer click on unidentified links. If you’d title your links, I’d have more faith in what to expect and less fear of wasting time on nonsense.
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Paint Your Wagon… I guess that buying a wife back then was commonplace.
In this musical based on the Broadway show, Ben Rumson (Lee Marvin) happens upon a wrecked wagon containing a dead man and his surviving brother, Pardner (Clint Eastwood), in the wilds of California during the Gold Rush. At the burial, they discover gold dust and stake a claim. Soon a mining camp dubbed “No Name City” emerges, rife with lonely men starved for female companionship. When a polygamist Mormon arrives looking to sell off a wife (Jean Seberg), a bidding war commences.
Initial release: 15 October 1969 (USA) Director: Joshua Logan Music composed by: Frederick Loewe, André Previn, Nelson Riddle Screenplay: Alan Jay Lerner, Paddy Chayefsky