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The maximal isolation of an entity into itself can only mean its sinking deeper into its natural relating to it’s outside world - i.e. its part of itself that passes, step by step, into a greater world of which also other entities reside. Whatever leads to isolation is not a sinking into a self, but a dissolving. A sense of being strongly particular is the reality of being powerfully interrelated.
The relation between entities is made out of what we could call entities of time; ‘moments’ in which agents coincide and two entities produce an event that alters them both, and changes relations with each other, thereby also changing their relation with the rest of themselves; their self-image tilts to a certain angle and all the images of all the other entities and events, change along.
Man is deep down as easily altered as the electron rings of the atoms in his body; but like the atom he has a stable core that is not easily disrupted and only goes out with very much violence. Man relates much like atoms relate; shifting in particulars, stable in types.
The values of a man are similarly a reflection of himself as the valencies of an atom; in man we experience this as consciousness, and we have conscious notions of values, valuing, being of value; but we fail to put the notion in its proper place; let the semantic root to veracity stand at the grammatical center of all serious concerns. Let it openly and accurately pertain to all structural problems before the particulars in a real world context are brought forward.
What is at stake? And precisely therefore; what is not at stake? Where do we feel safe, secure?
This security is the core value substance that we have to live with to be consistent to the Earth, which has produced a plenitude of types and tastes, along with all the means to fulfill them in the myriad cases of happiness that thrust the self confidence of the animal kingdom.
A wheel that has been pushed down a hill, that gathers momentum; this is happiness in the animal kingdom, this is why they have evolved to such bizarre and amazing specialities. It is the pure bliss of unfolding without knowledge of death that allows for this vitality.
Death must be forgotten to be animal, to be naturally happy - or if it can not be forgotten it must be affirmed, in such a way as to seem a goal rather than something you have to sort of try to be as little aware of as possible. Art is the surrender to death, good art finds a challenge to it.
It is good to have fortune whether one begins with it or finds it along the way is a subject of all stories, it can go any whichever way nature (a more abstract, unnatural notion than value) chooses; it will go where the valuing and the valencies require it to go, so that they continue existing.
In other words, we fail to set the proper context for any discussion if we do not already assume that we are driven by something fundamentally compatible. This is why money is even more powerful than god - why all gods fall or stand with the gold attributed to them.
In order to throw money at a problem without enlarging it, there must be a notion of a solution. The more discretely defined and concretely imagined the solution is, the more chance it has of being realized as money is thrown at it. This is the cause to the splendor of cathedrals; they are large drawing boards of problems and investments to solve them. The marble-work is of the same substance as the metaphor it depicts.