Falling

Falling

“We’re in a free fall into future. We don’t know where we’re going.
Things are changing so fast. And always when you’re going through
a long tunnel, anxiety comes along. But all you have to do to transform
your hell into a paradise is to turn your fall into a voluntary act. It’s a
very interesting shift of perspective…joyfully participate in the sorrows
of the world and everything changes.” --Joseph Campbell

I.

I don’t grasp the connection between
Gilgamesh and Galileo and Goethe,
you declare in broken, falling words.
Ah, but I was there when Rome became America,
and I’ll be here when it returns.
I can see what’s in between.
For through the smoke of
what you recorded, can barely be glimpsed
the wispy trails of that which
took its fateful place,
but missed the center stage.
And this is where to look,
and this is what you missed.

II.

She walks in timelessness,
free from the prison of Chronos,
a child belonging to the ages.
Lightly stepping over the verdant path
downward to the rushing stream
she invites the current, cold,
to wash over bare feet and legs, slender,
rushing past, water, mother of all.
Reflected in her eyes, this water,
the blue and the black,
once-distinct lines, made imaginary,
blurring and disappearing,
unable to defy the force of that
unto which we all are born,
unto which we all become,
unto which we all return.
Reflected in the water, the sky,
with piercing light, saving and destroying,
creating and burning.
Let there be light.
And Genesis awakens in her.
Falling into all of it, she sees the face
of God, and tries forever to remember it.
It was a million years ago.
It was the day before yesterday.
Memory failing, the loneliness embraces
her, warm and soft as the verdant path.
Across the rushing stream,
she finally lays her body down.

III.

We order another round
at our outdoor cafe,
and I am careful not to notice too obviously
the waitress this time.
Your broken, falling words
rest upon the table with the silverware.
On the sweet summer breeze
two lovers float by
holding hands,
holding worlds.
And I imagine Atlas held no more
than this.
But things held will fall.
Words, and hands, and worlds.
With your smile, I can see.
I can see now.
I can see
who lifts them up again,
reflected in your watery eyes.

.

Wow, Rainey, you’ve outdone yourself. Just so you know, I knew it was Eve way before you mentioned Genesis – whether that’s due to me having just read Paradise Lost or not I’m not sure, but nevertheless, I don’t know if the actual reinforcment (mentioning Genesis) is necessary. I think the imagery to a cultivated reader is quite clear.

Incidently, I just recently coined a word that I thought would have coincided so well with this piece. If you like it and wish to use it feel free. Xenofalls. Xeno is a prefix meaning foreign.

Have a good one,
and once more,
Excellent piece!!

Liked the third. =D>

Thanks guys.

TUM, I won’t deny that it’s about Eve because I’m thinking you’re right. Interestingly, I didn’t set out consciously to make it about Eve. The “mother of all” was really meant to refer to the water, kind of a river of life sort of thing, that we fall into and get swept up in. But in a sense, this might have been Eve’s role in the Garden, depending on how one interprets the Genesis story. And this potential is replayed in each of us - the chance to fall into life, its ups and downs and sorrows and joys, all of which one ultimately needs, as Campbell put it once, “to say ‘yes’ to.”

Xenofalls, eh? I’ll consider.

Now that’s very interesting - that you are writing about water.

I will contend that this poem is excellent, simply because it allows for a multiplicity of facets to gush through. (I also loved stanza III, but I thought it was the combination of all three distinct - though connected - stanzas juxtaposed to one another that made the trip through the piece so delightful. One can trace the watery transmutation from stanza to stanza while at the same time observing how it all remains the same substance throughout. Xenofalls, incidentally, I did not intend for you to insert into this piece (I wouldn’t put an “x” word into a poem that needs to flow). But in case you ever find a place for it - feel free :slight_smile:

Who was Joseph Campbell anyway? I’m now interested to read him. From what work is his quotation from?

This one just kind of flowed out of me, TUM. Or through me, or something.

Joseph Campbell was a scholar and professor who I first saw interviewed on PBS years ago. You can find a lot of his interviews on DVDs at Amazon and the quote is actually from some interview or other. He made a lifelong study of myth and comparative religion, and was amazed at the similarities between all of the great stories from all the world’s theologies. His seminal work was The Hero with a Thousand Faces which details all of these comparisons. Ultimately the hero, from what I gather of the man’s philosophy, is me, and you. The myths and stories are all beautiful metaphors, guideposts of wisdom for us as we heroically make our way through and create our own “myth.” His stuff just sort of fits in nicely with my worldview.

If you want a real good introduction I might recommend “An Open Life,” a short book that was actually a conversation he had. Probably take you half an hour to read it. But at moments you’ll want to stop and soak something in so it might take longer.

I haven’t changed my mind yet, rainey. You are a sick man.

In a good way.

Ever thought about going into sales? You’d make a killing.

Er, nice poem(s).

Thanks, san. You know actually I am in sales. Strangely, though, I have yet to make a killing. Probably I am selling the wrong things. Or the right things to the wrong people. But one of these days…

One can always hope.

Stuff of life.

By the way, I still like your ‘right of passage’ approach.

Ah, but that was your approach first, san, if I recall. I merely took it and ran with it a bit, embellished it, if you will (as any good salesman might).

Oh sure, blame me for your genius.

Anyway, I employed ‘rite’ to represent a changing of the guard, a symbolic, perhaps metaphorical, killing of the father, if you will. But then upon looking at your embellishment, you had me sold.

I was sold.

I just couldn’t disagree.

With that move, there were just so many variables at play. You now could, all of a sudden, experience the rebel’s feeling of entitlement. It even made me think of the driving phrase ‘right of way.’

So, yeah, nice pitch.

Genius? Moi? I’m having trouble keeping straight rite from right. But as long as we ended up at the same place. One should never quibble over the details, I suppose, so long as the sale is made and all the appropriate variables are put into play. What more can one ask?

(One could, of course, always ask for it to be played out by cartoon bunnies, but short of that, I mean).

Your modesty is palpable.

If I encounter another modest individual I swear I’ll, I’ll … go watch some bunnies.

Good day, Sir.

By the way, well crafted. You had me reeling. Or maybe you just reeled me in. Not quite sure anymore. Did I mention you were a sick man? Maybe you’re getting sick of that. In any case, well driven.

Beautiful rainey.

You exceed my expectation.

Thank you, angel.