I don’t know if I share your opinion that Dionysus is (more) feminine whereas Apollo is (more) masculine. I have already once, albeit in a somewhat chaotic manner, introduced you to the thesis that Apollo and Dionysus represent the two poles of the Greek male; and that the real antithesis between the sexes is not Apollo versus Dionysus, but Achilles versus Penthesilea, or Greek versus Amazon. If Apollo and Dionysus are the two poles of the Greek, which are the poles of the Amazon? I suggest the following:
First, the god we call Dionysus is himself a relation between two tendencies, the Apollinian and the Dionysian - as is Apollo. In Apollo, the Apollinian predominates over the Dionysian; and in Dionysus, the other way 'round.
When a fellow gets drunk, the Dionysian comes to predominate in him: as Heraclitus says;
“A man, when he gets drunk, is led by a beardless lad, tripping, knowing not where he steps, having his soul moist.”
And:
“The dry soul is the wisest and best.”
I use the Aristotelian and Hindu systems of the Classical Elements to illustrate my thesis.
The four Classical Elements are Fire, Air, Water, and Earth. Earth and Water are traditionally held to be feminine; Air and Fire, to be masculine. According to Aristotle;
Fire is hot and dry;
Air is hot and wet;
Water is cold and wet;
Earth is cold and dry.
So the Apollinian male, when he drinks, goes from Fire to Air.
“Hinduism” knows the same four Classical Elements, only it does not characterise them with heat and dryness, but with the three gunas: Sattva (harmony), Rajas (passion), and Tamas (darkness).
In Fire, Sattva predominates over Rajas;
In Air, Rajas predominates over Sattva;
In Water, Rajas predominates over Tamas;
In Earth, Tamas predominates over Rajas.
If we identify Sattva with the Apollinian and Rajas with the Dionysian, we see that the Dionysian (but not Dionysus!) is indeed present in the two “feminine” elements.
So what is the second quality present in the feminine elements? It is the direct antithesis of the Apollinian. I call it the Artemisian.
Artemis was the sister of Apollo; and according to one J. Vurtheim, “all the Amazons were Dianas, as Diana herself was an Amazon”. Diana was the Roman name for Artemis. The Qabalist Dion Fortune says about her:
“Yesod [a sphere on the Qabalistic “Tree of Life”] is essentially the Sphere of the Moon, and as such comes under the presidency of Diana, the moon-goddess of the Greeks. Now Diana was primarily a chaste goddess, ever-virgin, and when the over-presumptive Actaeon annoyed her he was torn to pieces by his own hunting-hounds. Diana, however, was represented at Ephesus as the Many-breasted, and regarded as a fertility goddess. Moreover, Isis is also a lunar goddess, as indicated by the lunar crescent upon her brow, which in Hathor becomes the cow-horns, the cow being among all peoples the especial symbol of maternity. In the Qabalistic symbolism, the generative organs are assigned to Yesod.
All this is very puzzling at first sight, for the symbols appear to be mutually exclusive. Carried a step further, however, we begin to find connecting links between the ideas.
The Moon has three goddesses assigned to her, Diana, Selene or Luna, and Hecate, the latter being the goddess of witchcraft and enchantments, and also presiding over child-birth.
There is also a very important moon-god, none other than Thoth himself, Lord of Magic. So then, when we find Hecate in Greece and Thoth in Egypt both assigned to the Moon, we cannot fail to recognise the importance of the Moon in matters magical. What then is the key to the magical Moon, who is sometimes a virgin goddess and sometimes a fertility goddess?
The answer is not very far to seek. It is to be found in the rhythmical nature of the Moon, and, in fact, in the rhythmical nature of sex-life in the female. There are times when Diana is many-breasted; there are times when her hounds tear the intruder to pieces.”
[Dion Fortune, The Mystical Qabalah, XXIV, 23-27.]
I forgot to mention that the four Classical Elements form a closed circle. Each is linked to two others by their common quality (heat, dryness, etcetera):

I say that it is in the quality of wetness or moistness that the male and the female meet, in sex. It is when the man has become intoxicated (with lust), and the woman is in her fertile (and voluptuous) period, that the twain seek out each other. On the other hand, it is in her “virgin” dryness and wisdom, and in his “bearded” dryness and wisdom, that the twain may meet intellectually (Zeus and Pallas Athena come to mind).