Philosophy rendered into poetry rendered into song—communicating points of view in a powerful and dramatic way. And in a frame of mind that can only [perhaps] be understood subjunctively.
Bruce Springsteen’s “Mister State Trooper”:
[b]New Jersey Turnpike, ridin’ on a wet night neath the refin'ry's glow Out where the great black rivers flow License, registration: I ain't got none But I got a clear conscience
bout the things that I done
Mister state trooper, please don’t stop me
Please don’t stop me, please don’t stop me
Maybe you got a kid, maybe you got a pretty wife
The only thing that I got’s been both’rin’ me my whole life
Mister state trooper, please don’t stop me
Please don’t stop me, please don’t stop me
In the wee, wee hours your mind gets hazy
Radio relay towers lead me to my baby
The radio’s jammed up with talk show stations
It’s just talk, talk, talk, talk, till you lose your patience
Mister state trooper, please don’t stop me…mister state trooper please don’t stop me
Hey, somebody out there, listen to my last prayer
Hiho silver-o, deliver me from nowhere[/b]
And:
Lyle Lovett’s “Pontiac”:
[b]I park my pontiac
Down the hill out in back
Late every afternoon
With a coke and a cigarette
And all of the neighbors there
They see a nice old man
And the girl there across the street
She sits on her front porch swing
She never realized
What I told her with my eyes
How back in the second war
I killed twenty German boys
With my own bare hands
And the woman inside my house
She won’t stop talking
She never says a thing
She just keeps talking
And I might just leave her still
After the sun goes down
And I smoke this cigarette[/b]
And:
Bob Dylan’s “Ballad of Hollis Brown”:
[b]Hollis Brown
He lived on the outside of town
Hollis Brown
He lived on the outside of town
With his wife and five children
And his cabin fallin’ down
You looked for work and money
And you walked a rugged mile
You looked for work and money
And you walked a rugged mile
Your children are so hungry
That they don’t know how to smile
Your baby’s eyes look crazy
They’re a-tuggin’ at your sleeve
Your baby’s eyes look crazy
They’re a-tuggin’ at your sleeve
You walk the floor and wonder why
With every breath you breathe
The rats have got your flour
Bad blood it got your mare
The rats have got your flour
Bad blood it got your mare
If there’s anyone that knows
Is there anyone that cares?
You prayed to the Lord above
Oh please send you a friend
You prayed to the Lord above
Oh please send you a friend
Your empty pockets tell yuh
That you ain’t a-got no friend
Your babies are crying louder
It’s pounding on your brain
Your babies are crying louder
It’s pounding on your brain
Your wife’s screams are stabbin’ you
Like the dirty drivin’ rain
Your grass it is turning black
There’s no water in your well
Your grass is turning black
There’s no water in your well
You spent your last lone dollar
On seven shotgun shells
Way out in the wilderness
A cold coyote calls
Way out in the wilderness
A cold coyote calls
Your eyes fix on the shotgun
That’s hangin’ on the wall
Your brain is a-bleedin’
And your legs can’t seem to stand
Your brain is a-bleedin’
And your legs can’t seem to stand
Your eyes fix on the shotgun
That you’re holdin’ in your hand
There’s seven breezes a-blowin’
All around the cabin door
There’s seven breezes a-blowin’
All around the cabin door
Seven shots ring out
Like the ocean’s pounding roar
There’s seven people dead
On a South Dakota farm
There’s seven people dead
On a South Dakota farm
Somewhere in the distance
There’s seven new people born[/b]
Here [it seems] the full effect of these particular characterizations of human reality can only be appreciated when you hear Bruce Springsteen or Lyle Lovett or Bob Dylan actually sing the songs. The lyrics and the music meld into a frame of mind that may well be beyond what the philosopher can convery.
And it is not a question of whether the artist is right or wrong. That, after all, in my view, is beyond knowing. Instead, it revolves around the manner in which he communicatres what comes from deep inside him. The words are an intimate reflection of his life itself. And it either resonates with you or it doesn’t.
And—philosophically—is there any farther we can go?