A new world coming.
Alien nation and alienation working in concert where dispersion and Diaspora accentuate, through a magnifying glass the reflections erupting from down under.
That is like a reduced look, a vision turned gaze , to a what Erickson a stage called guilt I believe but will look up Google
A stage where all the shouldered responsibility to retain eye density so strongly embedded that Polanyi Michael woke me from slumbers abounding,
That the world like an apple round and round revolves, a mystic journey, seeking absolution from the dizzying heights of over the top (circus)
Drama of the superior, exclusive, excluded sel,
Self detached amid wandering dies one wonder do you? you?
So that at the panic ensuing where all 12 tribes are at peril, the saving of even 1 becomes anathema?
At that point Dr, Strangelove reflexively a natural, where the guilt killing that look through which it magnifies its tribal hope of survival, that the ultimate tool needs tempering, as the feline feels more even as dogs do, that all needs to be detached, for the mystery to expose the common good, out of the cult, into the light, delineation of motive, the will to be.
Only through the look, that can it produce it’s own gazing cure for it’s unique self.
Besides strange love , Dr Sax , of kerouac’s Visions through Cody, have prepared the stage, for what’s coming, the left banks
Of all ex patriots, among them Caress Crosby, all in Gertrude’s salon. and all good patriots among them Virag out of Ulysses.
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- MOVEMENTS
- PRIMITIVISM

Primitivism
Started: 1890
Ended: c.1945

Summary of Primitivism
A complex and, at times, contradictory tendency, “Primitivism” ushered in a new way of looking at and appropriating the forms of so-called “primitive” art and played a large role in radically changing the direction of European and American painting at the turn of the 20th century. Primitivism was not so much an artistic movement but a trend among diverse modern artists in many countries who were looking to the past and to distant cultures for new artistic sources in the face of increasing industrialization and urbanization. Beginning at the end of the 19th century, the influx of tribal arts of Africa, Oceania, and Native Americans into Europe offered artists a new visual vocabulary to explore. In many ways, Primitivism provided artists a way to critique the stagnant traditions of European painting. Primitive art’s use of simpler shapes and more abstract figures differed significantly from traditional European styles of representation, and modern artists such as Gauguin, Picasso, and Matisse used these forms to revolutionize painting and sculpture.
While on its face, Primitivism was an attempt to embrace and raise the status of tribal arts, it was itself an inherently Eurocentric enterprise and, in many cases, was biased against the very arts it appropriated. Throughout the later 20th century and into the 21st, artists and scholars have attempted to historically contextualize Primitivism and expose its shortcomings as a framework for understanding art from non-European cultures.
Key Ideas & Accomplishments
- As understood by the modern artists, primitive art not only provided new aesthetic forms, it also offered a deeper and more complex emotional and spiritual model that the artists employed to critique the modernization of Western society. Tinged with nostalgia, Primitivism sought connections to a pre-industrialized past in which people were more connected with nature and each other.
- The lasting legacy of Primitivism and the long-enduring assumptions about the inferior quality of art from colonized areas has made it difficult to incorporate African, Aboriginal, and Native American artists into art historical narratives, but attempts at creating a global art history
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