The World

It seems so solid,
only because we cannot break it.
The world is not a nut to crack.
Walls are usually illusions.
Creating inner strength,
will move mountains,
without touching a single stone.

The real challenge of life is already over.
So we must die with grace,
or so it seems.

Nature often recycles herself.
The world is always made new.
But some day death will over power her.
And the world will again sleep.

Death is incapable of making life ignorant.

Everyone eventually figures out the same thing - eventually …

The goal of existence is to live our desired experiences at nobodies expense and to solve once and for all the pleasurable exclusive access problem; the negative zero sum problem.

If death ever won, none of us would be here right now. If death had logic, death would realize it never wins. If hell had logic, it’d realize that it can be sent to hell as well.

There’s one thing that makes a life interesting…

Existence is currently violating everyone’s consent (the self is proven by this)…(YOU have a consent)

To have an interesting life is to give the middle finger to existence (fuck you existence) and instead of modeling what you see (monkey see, monkey do), violate as little consent as possible.

Life consists of genera and fauna, ind and double bind, sometimes carefully crafted out of a brew of contradictions, so as to create the essential vapor of degeneralized
gender defferential.

Way back in the very earliest of tribal survival, this dance

Like I said, it’s a a scent, dogs best for the job the fumes and spirits vibrating the nose’s fine lined hairs rather, the typhony of orchestral chords calculated to memory’s archived architecture.

A new world coming.
Alien nation and alienation working in concert where dispersion and Diaspora accentuate, through a magnifying glass the reflections erupting from down under.

That is like a reduced look, a vision turned gaze , to a what Erickson a stage called guilt I believe but will look up Google

A stage where all the shouldered responsibility to retain eye density so strongly embedded that Polanyi Michael woke me from slumbers abounding,

That the world like an apple round and round revolves, a mystic journey, seeking absolution from the dizzying heights of over the top (circus)

Drama of the superior, exclusive, excluded sel,
Self detached amid wandering dies one wonder do you? you?

So that at the panic ensuing where all 12 tribes are at peril, the saving of even 1 becomes anathema?

At that point Dr, Strangelove reflexively a natural, where the guilt killing that look through which it magnifies its tribal hope of survival, that the ultimate tool needs tempering, as the feline feels more even as dogs do, that all needs to be detached, for the mystery to expose the common good, out of the cult, into the light, delineation of motive, the will to be.

Only through the look, that can it produce it’s own gazing cure for it’s unique self.

Besides strange love , Dr Sax , of kerouac’s Visions through Cody, have prepared the stage, for what’s coming, the left banks
Of all ex patriots, among them Caress Crosby, all in Gertrude’s salon. and all good patriots among them Virag out of Ulysses.

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  1. MOVEMENTS
  2. PRIMITIVISM

Primitivism Collage

Primitivism

Started: 1890

Ended: c.1945

Primitivism Timeline

Summary of Primitivism

A complex and, at times, contradictory tendency, “Primitivism” ushered in a new way of looking at and appropriating the forms of so-called “primitive” art and played a large role in radically changing the direction of European and American painting at the turn of the 20th century. Primitivism was not so much an artistic movement but a trend among diverse modern artists in many countries who were looking to the past and to distant cultures for new artistic sources in the face of increasing industrialization and urbanization. Beginning at the end of the 19th century, the influx of tribal arts of Africa, Oceania, and Native Americans into Europe offered artists a new visual vocabulary to explore. In many ways, Primitivism provided artists a way to critique the stagnant traditions of European painting. Primitive art’s use of simpler shapes and more abstract figures differed significantly from traditional European styles of representation, and modern artists such as Gauguin, Picasso, and Matisse used these forms to revolutionize painting and sculpture.

While on its face, Primitivism was an attempt to embrace and raise the status of tribal arts, it was itself an inherently Eurocentric enterprise and, in many cases, was biased against the very arts it appropriated. Throughout the later 20th century and into the 21st, artists and scholars have attempted to historically contextualize Primitivism and expose its shortcomings as a framework for understanding art from non-European cultures.

Key Ideas & Accomplishments

  • As understood by the modern artists, primitive art not only provided new aesthetic forms, it also offered a deeper and more complex emotional and spiritual model that the artists employed to critique the modernization of Western society. Tinged with nostalgia, Primitivism sought connections to a pre-industrialized past in which people were more connected with nature and each other.
  • The lasting legacy of Primitivism and the long-enduring assumptions about the inferior quality of art from colonized areas has made it difficult to incorporate African, Aboriginal, and Native American artists into art historical narratives, but attempts at creating a global art history

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are underway.

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https://www.theparisreview.org/blog/2024/09/24/the-american-sentence-on-gertrude-steins-melanctha/

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James Joyce, Ulysses, and the Construction of Jewish Identity

Culture, Biography, and ‘the Jew’ in Modernist Europe

  • AUTHOR: Neil R. Davison, Oregon State University

  • DATE PUBLISHED: September 1998

  • AVAILABILITY: Available

  • FORMAT: Paperback

  • ISBN: 9780521636209

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  • Representations of ‘the Jew’ have long been a topic of interest in Joyce studies. Neil Davison argues that Joyce’s lifelong encounter with pseudo-scientific, religious and political discourse about ‘the Jew’ forms a unifying component of his career. Davison offers new biographical material, and presents a detailed reading of Ulysses showing how Joyce draws on Christian folklore, Dreyfus Affair propaganda, Sinn Fein politics, and theories of Jewish sexual perversion and financial conspiracy. Throughout, Joyce confronts the controversy of ‘race’, the psychology of internalised stereotype, and the contradictions of fin-de-siècle anti-Semitism.Read more

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‘In this thorough and original study Davison poses fundamental questions: what did Joyce know or believe about the Jews, where did he derive his ideas, and to what use did he put them, especially in Ulysses? … At every turn this superb study introduces fresh perspectives on an important subject.’ James Joyce Literary SupplementSee more reviews

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  • DATE PUBLISHED: September 1998

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This title is available for institutional purchase via Cambridge Core

](James Joyce, Ulysses, and the Construction of Jewish Identity)

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  • [The Cambridge Companion to Ulysses

The Cambridge Companion to Ulysses

](https://www.cambridge.org/tc/academic/subjects/literature/english-literature-1900-1945/cambridge-companion-ulysses?format=PB&isbn=9781107423909)

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Lipoti ViragCharacter Analysis

During one of the fantasy scenes in “Circe,” Leopold Bloom’s eccentric Hungarian grandfather Lipoti Virag pops into Bella Cohen’s brothel through a chimney, wearing Cashel Farrell’s monocle and a brown macintosh (a reference to the man in the macintosh). He talks about sex in a sterile, scientific way and gives anatomical descriptions of the prostitutes Zoe Higgins, Kitty Ricketts, and Florry Talbot. He represents Bloom’s rationality, prudence, and worldly curiosity, but his obsession with sex also points to Bloom’s concern about his ability to carry on his bloodline.

Get the entire Ulysses LitChart as a printable PDF.

Ulysses PDF

Lipoti Virag Character Timeline in Ulysses

The timeline below shows where the character Lipoti Virag appears in Ulysses. The colored dots and icons indicate which themes are associated with that appearance.

Episode 15: Circe

Love and Sex Theme Icon

Religion, Atheism, and Philosophy Theme Icon

…he’s not looking. Bloom is, and then he launches into another fantasy: his grandfather, Lipoti Virag, shoots through the chimney into the room, wearing a brown macintosh. He comments in detail… (full context)

Literature, Meaning, and Perspective Theme Icon

Love and Sex Theme Icon

Fate vs. Free Will Theme Icon

Religion, Atheism, and Philosophy Theme Icon

Virag encourages Bloom to think harder. He mentions various medical procedures and Bloom’s forgotten ambitions, then… (full context)

Alienation and the Quest for Belonging Theme Icon

Literature, Meaning, and Perspective Theme Icon

Love and Sex Theme Icon

Fate vs. Free Will Theme Icon

Religion, Atheism, and Philosophy Theme Icon

Zoe reports that a priest came to visit her, and Lipoti Viragresponds that this is a logical expression of the Christian belief in humankind’s original sin… (full context)

Alienation and the Quest for Belonging Theme Icon

Literature, Meaning, and Perspective Theme Icon

Love and Sex Theme Icon

Religion, Atheism, and Philosophy Theme Icon

…jump at him. Holding a woman’s severed head, Henry Flower grooms himself and then leaves. Viragunscrews his own head and follows Flower out. As they chat about the clergy, Florry… (full context)

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And then Dr. strangelove’s alienation of the wondering catapulting into an alienated superpositions global economy of it/id in Freudian uncertainty, of being singularly (it/It appears), can not categorically define that malady which Kierkegaard labels that sickness into a death, but of which Shakamuni alludes to Nichiren, as Erickson does extend infantile stages toward those who can really understand - that he only died pro forma, so that they will believe (for who would or could believe in whom is said :De Anima , Aeterna,

So such incongruous ascension into singular alienation of even one, who later could redeem the debt of all, by a singular act of saving all by the Mystic Law, that is: e pluribus unum, trumping erikson’s infantile deprivation extended by nicotine through the mystic law of
the Lotus Sutra, is not as uncommon as all that

Rather, it proves right to those who can connect the old and New Testament either by the light or through a total eclipse of it, through the tarot chance that touches the celestial bodies themselves, in kabbalas of chance even one in innumerable reincarnations, as intuited through Schopenhauer,a student,
eternally returning to seekers seers in progress, or those who are indefinitely condemned and synched to repeat lessons not yet learned.

This is why strangeness of Dr. Strangelove, did and was able to compensate a previously held group’s participation, for the could not have known . Double cross was the act that offered them more time, the time Faustus sold his soul for, for he wagered no love of self in the transaction, but then he proved it wrong, nor by illusion, the way of the trickster, but that of redemption of an Other meant to be.

That such fearless progression required by Buddha , was not anticipated by being under the cover of darkness, where an absolutely binding force , the will has secured, such can not be sensed by that who sees not by similar means.

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Where dies old grand dad comes in? Where that string of pastels is so far strung out?

Believe it to make America great again in spite of a string of pearls
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