Werner Herzog
Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect.
Next up: your post.
The world reveals itself to those who travel on foot.
You first.
The opinion of the public is sacred. The director is a cook who merely offers different dishes to them and has no right to insist they react in a particular way. A film is just a projection of light, completed only when it crosses the gaze of the audience…
…and how that is applicable here.
A fairly young, intelligent-looking man with long hair asked me whether filming or being filmed could do harm, whether it could destroy a person. In my heart the answer was yes, but I said no.
That was me by the way.
For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do–out of instinct, on principle, out of self-preservation–look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.
And now?
It is only through writing that I become myself.
I gave that a shot myself. And then I blew myself up.