(Disclaimer: This post presupposes basic knowledge of the Qabalistic Tree of Life.)
In his The Way of the Secret Lover, Christopher Hyatt writes:
[size=95]The Abyss is a cosmic looking-glass which reflects the pure, ideal concepts of the First Trinity creating the illusion of a Second Trinity (which in turn extrudes the even more unreal Third Trinity).[/size]
When I read this recently, it could not fail to remind me of Nietzsche’s early metaphysics. The First Trinity is then the Primal Unity, a.k.a. the Primordial One (das Ur-Eine); the Second Trinity, the world of Nature; and the Third Trinity, the realm of Apollinian illusions. That the Second Trinity be the world of Nature is supported by a comparison between how Dion Fortune describes the two opposing Sephiroth within this Trinity, and the way I recently described that world:
[size=95]The analogy of physiology gives us a clear understanding of the significance of these two Sephiroth. Metabolism consists of anabolism, or the ingesting and assimilating of food and its building up into tissue, and katabolism, or the breaking down of tissue in active work and the output of energy. The by-products of katabolism are the fatiguepoisons which have to be eliminated from the blood by rest. The life-process is an everlasting upbuilding and downbreaking, and Geburah and Gedulah (another name for Chesed) represent these two processes in the Macrocosm. [Source: Fortune, The Mystical Qabalah, XVIII.7]
Nature is, like, the cosmic process; it’s time itself; it’s “matter”—as we’d call it—colliding into each other and forming structures and destroying structures. [Source: http://www.youtube.com/watch?v=ThGrp-DAp_w 00:32-00:47][/size]
And that the Third Trinity be the realm of Apollinian illusions is supported by a comparison between how she describes the Sephira in the middle of this Trinity, and how Nietzsche describes the Apollinian:
[size=95]The pantheistic [sic] faiths, such as the Greek and Egyptian, centre in Yesod[.] [Source: Fortune, op. cit., XX.16][/size]
What she means by “pantheistic” is of course “polytheistic”; and indeed, Heraclitus is reported as saying that there are gods even in the dungheap! As Nietzsche says, however, the whole Olympian world, down from the gods of the dungheap up to Zeus himself, is Apollinian (The Birth of Tragedy, chapter 3). And as for the Egyptians: Nietzsche ties the Egyptian with extreme Apollinianism:
[size=95][L]est the Apollinian tendency freeze all form into Egyptian rigidity, and in attempting to prescribe its orbit to each particular wave inhibit the movement of the lake, the Dionysian flood tide periodically destroys all the little circles in which the Apollinian will would confine Hellenism. [Source: Nietzsche, ibid., chapter 9.][/size]
The Dionysian counterpart to the Apollinian Yesod is Tiphareth, the Sephira in the middle of the Second Trinity. Thus Fortune writes:
[size=95][T]he sacrificed gods and redeemers [are referred] to Tiphareth. [Source: Fortune, op.cit., XX.16][/size]
Dionysus was of course ho Lusios, “the Redeemer”, and Zagreus, the god who was cut to pieces by the Titans. Now Tiphareth is also called “the Christ-center”…
[size=95]The god on the cross is a curse on life, a signpost to seek redemption from life; Dionysus cut to pieces is a promise of life: it will be eternally reborn and return again from destruction. [Source: Nietzsche, The Will to Power, Kaufmann ed., section 1052.]
[T]he Christian doctrine was the counterdoctrine to the Dionysian[.] [Source: ibid., 1051.][/size]
The redemption brought by Dionysus was not a redemption from life, but a redemption in life:
[size=95]The Hindu vision of the divine as articulated in Krsna and Kâlî affirms that samsâra is pervaded by the divine, that samsâra, painful though it may be, is expressive of divine activity. Samsâra may be essentially mâyic in nature, a dazzling, magic show that bewitches, deludes, and ensnares man, but it is also affirmed to be grounded in the warm, redemptive realities of its creators. Samsâra is to be ultimately transcended, no doubt, but it may be transcended by attuning oneself to its inner rhythms, by learning to dance to the tune of Krsna’s flute or with Kâlî in her dance of creation and destruction. The devotee of Krsna or Kâlî does not transcend the world by denying it in yogic withdrawal but by dancing to its inner rhythms and thereby participating in its creative and redeeming source. [David Kinsley, The Sword and the Flute, Conclusion.][/size]
Samsâra is the world of Nature. The phenomenon of the Dionysian, however, does not consist in our identification with the god or tragic hero cut to pieces in Tiphareth, but with the Primal Unity, enjoying the spectacle of that sacrifice, even if the sacrificial victim be ourselves, the imaginary fragment that we usually call “ourselves”. And indeed, Nietzsche describes the said phenomenon as follows:
[size=95]Now that the gospel of universal harmony is sounded, each individual becomes not only reconciled to his fellow but actually at one with him—as though the veil of Maya had been torn apart and there remained only shreds floating before the vision of mystical Oneness [i.e., before “the eye of the world”, as Nietzsche puts it in the [url=http://groups.yahoo.com/group/human_superhuman/message/65]fragment of an advanced form of The Birth of Tragedy[/url]]. [Source: Nietzsche, The Birth of Tragedy, chapter 1.][/size]